• Compatible with: AD200 Pro II compatible with Canon E-TTL II, Nikon i-TTL, Sony, Olympus, Panasonic, fujifilm,etc cameras
• Mutiple Functions: With a built-in Godox 2.4G wireless system, The AD200Pro II is compatible with Godox X system triggers, ensuring seamless integration with your setup. It supports TTL, HSS, front curtain sync and rear curtain sync, providing the flexibility and precision needed for any shooting scenario
• Upgraded Flash Head: Reliable performance is essential for your shoots. That’s why we’ve upgraded the flash heads, H200J II and H200 II. The new cooling design improves heat dissipation, ensuring optimal performance without overheating, even during prolonged use. This guarantees an uninterrupted workflow and no missed shots
• One-Tap Pairing with X3: The AD200Pro II supports one-tap wireless sync with the X3 trigger, just like our Lux Master and AD600Pro II models. With a simple tap on the X3 wireless sync button and the AD200Pro II sync icon, your devices will synchronize effortlessly, allowing you to focus on creativity and less on setup
• Bi-Color Versatile Modeling Lamp: The two upgraded flash heads feature a brighter modeling lamp with adjustable brightness and color temperature, delivering up to 1400 lux at 1 meter. In pro mode, the lamp's brightness matches the flash output. The H200J II offers up to 5.5 hours of continuous modeling light, while the H200II provides up to 6 hours-both enough to cover a full shoot
• Group Color Indicator: Managing multiple lights is easier with our group color indicator feature. Each group is assigned a distinct color on both the AD200Pro II and the X3 display, making it easy to identify and control specific groups, even in complex multi-light setups or long-distance shooting scenarios. Your workflow just got smoother
• Stable Color Temperature: The AD200Pro II features a stable color temperature mode, maintaining a variance within ±100K across the entire power range. This is ideal for color critical shooting, where consistent color accuracy is crucial. Photographers can adjust power levels without worrying about color shifts, minimizing the need for post-processing